DESCRIPTION: A pair of substantial, deeply carved Chinese doors originating from Zhejiang province and dating from the early 1800’s, Qing dynasty. These handsome, heavy solid elm doors still have all of their original pegs attached, which would have been set into round sockets at the top and bottom, allowing the doors to be opened and closed.

The top panels are carved with flowers and a repeating swastika pattern, the Chinese character meaning good fortune or longevity. A pair of carved... Click for details

DESCRIPTION: A fierce pair of Chinese pottery foo dogs, early Qing, 18th/19th C., covered with a heavy green glaze and seated on pedestals. Each bares its teeth ferociously while holding a ball between their front paws as well as in their mouths. Good detail with finely ribbed backs and curled manes. Very good condition. DIMENSIONS: Each approximately 9 ½” high (24 cm) x 5” wide (12.7 cm).

DESCRIPTION: An antique hand-painted ceremonial drum with vivid motifs of large flowers with curling green tendrils against a red ground. Both ends of the drum are covered in animal hide and secured with round-headed metal studs. This highly decorative drum makes a perfect little end table, or adds a touch of exotic to any décor. Very good condition with minor rubbing in spots. DIMENSIONS: 16 5/8” high (42.2 cm) x 15 5/8” diameter (39.6 cm).

DESCRIPTION: Outstanding Japanese porcelain Imari charger, circa 1880, acquired in Brussels, Belgium. This charger is profusely painted in under-glazed blue, red, green and gilt with a central blue medallion of scrolls highlighted in gilt. Surrounding the medallion is a wide border of alternating cartouches enclosing pairs of birds with bamboo leaves, and flowers issuing from rockwork with butterfly. The reverse is painted with three sets of flowering blue branches. Perfect condition, no... Click for details

DESCRIPTION: A pair of decorative, large and captivating carved wooden figures of two reclining “lotus boys,” each with a candle stand in one hand. The fat-cheeked, gilded babies are carved separately from their large lotus leaf bases, which are complete with curled edges and seed pods. In Chinese folklore, such figures represent the wish for many sons - “as many as the seeds in the lotus pod.” These large figures are absolutely charming, and would make wonderful focal points on a... Click for details

DESCRIPTION: From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok constructed of wood that was first lacquered in black, and then covered in successive layers of cinnabar colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer has worn off in some areas to reveal the black lacquer base coat underneath, resulting in an attractive negoro effect. This particular vessel has graceful, stepped shoulders, a tall spire with large... Click for details